In Chromatic Meditations I–VI, color becomes a spatial and emotional architecture.
Each work explores the intersection of abstraction and landscape — where vivid, geometric forms confront vast natural environments.
Through these silent encounters, color transcends its visual role to become presence itself: a manifestation of energy, perception, and balance between the artificial and the organic.
Through these silent encounters, color transcends its visual role to become presence itself: a manifestation of energy, perception, and balance between the artificial and the organic.
Together, the six works form a continuum — a meditation on how geometry and hue can reveal the invisible structures of thought, emotion, and existence.
A monolith of thought suspended among mountains — clarity, distance, silence.
A floating form above the ocean — balance between motion and stillness, life and reflection.
A solid cube in the desert — presence, matter, and the quiet weight of existence.
A warm monolith rising from the ice — a quiet act of resilience amidst stillness and change.
A beam of constructed light extending across the horizon — motion suspended in space and silence.
A reflection resting on crystalline ground — color as presence, perception as form.